![]() ![]() If you have any suggestion about how to expose (and over-expose) them, I’d love to hear about so feel free to send me a message on Instagram where I’m the most active lately. I’ll probably do a proper comparison in the future as soon as I have 2 identical cameras in hands but I hope that this could give you an idea of what you can get from each Portra. Kodak Film Kodak Portra 400 Contribute to 35mmc for an Ad-free Experience There are two ways to experience 35mmc without the adverts: Paid Subscription - £2. The only difference was the sun starting to set which resulted in a light more flattering especially at the end of the roll but I’ll let you judge by yourself. The 160 was shot from 11am until 2pm, whereas the 400 from 2 to 4pm during winter time. What changed between the two rolls is the light condition. Samples of Kodak Portra 160įor me, the most interesting shots came from the Portra 400. But there’s nothing to blame on the film here!Īnyway, let’s look at some samples of the Portra 160 so you can get an idea of its look. Also, when I shot the Portra 160, the light conditions where far from ideal and the results aren’t that good as with the 400. I’m sorry if this is not a proper and fair comparison as I should have done a proper side by side of the two films shot on the same camera, but life decided otherwise. I was sure that with having a proper development and scanning, and a better understanding of how you should expose film, all odds were in my favour to have decent images to look at!įrom here you can have watch the video where you can see me shooting both films, followed by a selection of samples of Kodak Portra 160 and 400. This time, I knew that it would be different as both rolls would be processed by the great guys from. Sure there are techniques to edit colour film but it’s time consuming and the results aren’t always as good as they could be. Until recently, I was still scanning my negatives at home with an Epson V550 but there’s a sad reality when it comes to scan colour film: some aren’t going to like it and Portra 400 is one of them. Scanning a pro film on an mid-range scanner When shooting contrasty scenes with slide film, you have to decide if want to expose for the shadows or the highlights so bear that in mind. If you apply this technique with slide, the sky on the background of your hand will be also white and completely burned out. This one is a bit of a princess when it comes to exposure and doesn’t handle over-exposition as good as C41. On the other hand (pun not intended), you want to be careful if you are shooting with E6 slide film. C41 colour film needs a lof light and has a wide exposure latitude so don’t be afraid to feed it with light □ This is also a way to increase the saturation. By doing this, you ensure that the skin tones receive enough light to be well exposed. This is a technique often used to give more depth to an image, by defining the contours around the subject but it can be challenging to meter.Ī simple tip I useis to put my hand facing the light source and point the light meter toward the palm of my hand. You can see that most shots were shot against the sun. Both rolls were shot at box speed and exposed for the shadows. This item is one 36-exposure roll of 35mm film.The Rolleiflex I have doesn’t have a build in meter so I used an app called Light Meter on my iPhone for the entire day. This film has a nominal sensitivity of ISO 400/27° and is particularly well-suited to portrait and wedding photography, as well as nature, travel, and outdoor shooting with moving subjects, or when the lighting cannot be controlled. ![]() A micro-structure optimized T-GRAIN emulsion makes it especially well-suited for scanning applications, and advanced development accelerators offer extended versatility when enlarging. Utilizing the cinematic VISION Film technology, this film also exhibits a fine grain structure with very high sharpness and edge detail. Kodak's Professional Portra 400 is a high-speed daylight-balanced color negative film offering a smooth and natural color palette that is balanced with vivid saturation and low contrast for accurate skin tones and consistent results. Very Fine Grain, VISION Film Technology.
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